Lines of Demarcation

By Joseph Hesch

Surrounding us in every direction, limned
in every possible form, these boundaries
and borders, these lines of demarcation.
We can barely step away from them,
they’ve  so entrapped and squeezed our lives.
Do we draw them to keep others away
or to keep our respective enclaves
of body, mind and soul within?

Strokes of natural and man-made
geography, you mountains, oceans,
rivers, borders, colors, words on a page,
the signatures conscribing them against us,
are constructs that have lost their
constricting hold on this lacerated heart,
this freed mind, this scarred but open soul.

Each day, I look into blazing dawn’s

bright smile blurring and erasing
so many margins long marking my reserve,
my captivity. I know I can cross them now,
like they’re maps strewn across the floor,
mere cursive Ts in my notebook.
This syllogism may be false, but I’m a man
of many faults on the run to the next dawn.


We're linking this poem up to dVerse Poets Pub's Open Link Night, hosted by the incomparable Joy Ann Jones (You may know her as @Hedge_witch). Stop by and let Hedge pour you a tall one and mingle with some of the poetic clientele.

Aether

By Joseph Hesch

You spied the light of me across Plato’s dark aether--
a comet you said, omen of a coming--
where others rubbed it away as an eye-corner flicker.

My Fire drew in your Air, consuming that breath
with which you make being of sparkle, songs of soul.
This drab Earth resisted the quenching rain,

until Life’s plow broke me and your Water
entered my forgotten softness beneath the crust
others had tread to adamant armor.

We burn brightly now, pushing up flaming blooms,
embracing ivy of connection, the sweetest fruit
of seeds cast from the stars in their aether,

where I sensed a heart-tripped something
between Universe and the Sphere and wondered...
Perhaps?

The Eve, the Day, the Joy

By Joseph Hesch

On the Eve and Day of Joy,
the presents were covered
in their smooth and sparkling raiment,
as were the trees and roads
in their fresh-snow greeting card grandeur.
Come the gathering, all those wrappings,
of packages and countryside,
were torn by child and adult,
each in their own way—
hand, scissor, sled, SUV. 
The magic was so quickly broken,
And what was smooth wonder
and sparkling mystery
the night before and at dawn,
had been torn, crumpled, stained
and rendered debris and nuisance
to everyone’s continued joy.
Moms and Dads near-curse the mess
of late-day. Kids ignore or revel in its chaos.
On Boxing Day the broken ugliness
of cold fact will be exposed.
Yet all will be forgotten with the advent
of a new year, a new hope,
a new anticipation
for the sleek magic of the Eve and
the Day we came together
and were joyously unbroken.

The Trip In

By Joseph Hesch

In winter, the commute’s the same,
but the trip is so different.
I drive these glazed donut highways,
clogged commuter arteries
that would give me a heart attack
if I let them, or if I had the heart
for all this anymore.
Headed east to work yesterday I could
barely make out the stop-and-go
chain gang of prisoners in our
four-wheel jail cells because of
the low aspect of Warden Winter's
bloodshot eye, with which I played
the staredown game.
blink
Lost again. I always lose.

I could put the car in neutral
and still make it a couple of miles
before I would have to touch the wheel,
change my course from the
unnatural migration of which I am part.
Some birds are just like me,
they don’t migrate from this chill either.
I see them out my driver’s side window,
chains of starlings, shivering wing-to-wing,
stretching pole-to-pole --
roadside rosaries praying
for bread and a compass
that points south.

And now the final snowy flair
to a winter commute begins.
Flakes so big I can hear them
hit the window and so heavy
the trees will bow to their gravity,
their serious intent to remind me
who's really boss on my trip in.
This snow-light December
will turn into a bully soon enough,
snapping me awake to its will
with all the comfort of a white,
wet blanket whipped towel-like
to my bucket-seated backside.


If you know anything about me--real me and poet me--you know I have this love/hate relationship with winter and my workday world. Put them together and you come up with "The Trip In," this week's effort for dVerse Poets Pub's Open Link Night.

Nightfall, Another November

By Joseph Hesch

I stepped outside at 5:00 and another November struck me

like a black bolt of ash -- the darkness of early sundown,

the steely chill of snow-threatening clouds,

and a near-deafening din that drowned out the wind.

The colors of October long ago disappeared, 

fallen to the ankles of once brightly outfitted trees

that stood as beacons for weekend leaf peepers.

They now reached skyward in scraggly stick-'em-up 

posture, robbed of their raiment

by frost and frigid currents. Shivering sentinels, 
the skeleton maples, hickories and oaks,

found their bony limbs decorated by hundreds of 
nattering neighbors in jet, keeping with
the dark end of the month’s gray-scale color scheme.

Advent ornaments, lit by sundown, shiny and black,
adorned the branches. Ebony leaves full of cawing cacophony. 

At dawn, these gravity-defying decorations disappear,

falling up and away, shed in an anti-autumn explosion

of feathers, noise, and bad intent,

onyx scavengers crowing their ascendancy

over a napping Nature.

And I feel the bones of another of my years
about to be picked clean.


As I walked from my office to the parking lot the other night, I heard the racket from hundreds of crows festooning the trees surrounding the campus where I work. They are a foul nuisance, but one heck of an inspiration...if I'm mindful enough to use them. They stirred up "Nightfall, Another November."  Linking this poem up to dVerse Poets Pub for its Open Link Night.

The Answer

By Joseph Hesch

Outside, early morning, mid-December
and the howling wind is strumming a
C-chord through the trees.
Even above that din, I hear
the familiar tones overhead.

There, moving in a diagonal,
like a sidewinder snaking south,
or a streamer of mercury sliding across
a wobbly zinc tabletop,
are half a hundred Canada geese.

And I shiver. Not because of the wind
and December's cold, but because
the unspeaking natural world had
once again addressed a question
I hadn't even known I was asking.

The question I couldn't
speak or write is answered across
the December sky in that language
without words, the one that speaks
more truth than that of Man:
It's never too late.



As I was working outside the other day, I heard in the distance something I used to not hear until it was just above my head (if at all). There, in ragged V winging south, was the first company of migrating Canada Geese I'd seen this Fall. I'm not sure why, but that incessant honking sound, some overlapping the others as if they were sound shadows, stirs some visceral response in me. I feel somehow energized and inspired. And so I was this time. Seeing them put me in mind of another group I had seen last year. I write about those travelers here.

This Boy's Life

By Joseph Hesch

I took a walk by myself yesterday

and recalled how much I always loved

just walking and watching. 

"Woolgathering," Grandma called it.

"You're wasting time, little boy," she'd preach.

Years and years of it have reaped me a lot of wool,

or maybe just the dust of memories by now.

An ancient tree in the park caught my attention.

It knew I was coming; its limbs waved me down.

And on the edge of the yawning mouth

in the tree's face—a gash big enough

for a bear to hide in—

rose an impudent squirrel.

He hurled me a lesson full of sound and

fury on behalf of his silent old host,

a fiery flicking tongue testifying there's some life

left in the old boy, and chit-chitting his pride

that he's a big piece of it.

That's when I realized how much I loved my

walks and secret conversations with the world.

I don't feel like I've wasted all of those memories.

I carry their dust in my bones, I'm sure.

They just need to be reconstituted

by fresh perspective and the miracle voices.

Now I collect them, commit them to paper,

and share them with the nascent me,

that fiery, furry—or is it wooly?—

young poem maker who

resides inside this dry old hide. 

Photo by Ruban Phukan

Haiku and Senryu 1

Haiku

Rosy eye closing

beneath purple and red lids–

Fall’s bruised horizon.

As the oak leaves turn,

Nature orders, “Curtain up”–

cue this year’s third act.

Blackbirds harry Hawk 

from their leaf-bare maple home.

Hawk humors them though.

Eyes watch in hiding 

as we walk through red forest;

they fear us; we, them. 

The searchlight full moon

wore a veil of windblown cloud—

a November bride

Chains of starlings stretch,

shivering, from pole to pole—

roadside rosaries

Wind carries the cry

 of coyotes' prey brought down:

White doe runs away.

Senryu

His locked box opened,

she gave flame to his desire—

scarring a true heart.

“I’ll never hurt you,”

Angel carved into his heart –

A promise unkept.

“I’d never do that,”

The angel professed to me –

They all do, in time.

Gratefully, I taste

her Chinese tea and oranges –

Not Suzanne, but close.

In whose image, first,

was the other created—

Man’s god or God’s man?

Hot coffee and gin 

kept him warm every night. 

Anger kept him hot.

Over at dVerse Poets Pub today, my friend Gay Reiser Cannon is discussing poetry forms. She's a treasure house of poetry form knowledge, often beyond my skills. But today she is discussing the form with which I started my journey as what might be called a poet.  That is the Japanese short form style of haiku and senryu.  I've called it writing inside a warm, tight hug. After argued with myself for a while (a frequent exercise that I inevitably lose, one way or another) if I should post any of them on the blog, Gay helped me decide once and for all.  I'll love playing at this form until I can't breathe on a page anymore. That's what they are, my small poetic respirations, how I start each day.

Canadas

By Joseph Hesch

In the chill of the pondside dawn, 
the rushes part and feathered
bundles  trundle ashore.
They’re difficult  to see in the dim light,
given their formal attire of  gray and black,
their great bodies topped like cellos
with long curved necks and headstocks.
They applaud their own entrances
upon the morning stage, great wings
stretching. beating and refolding.
You can hear their humble efforts at
playing like Yo Yo Ma, all squee-unks and chuffs,
yet there’s an enchantment in the echo
and fade of that music.
From each of the itinerant players
comes a greater magic in their voices– 
frosty clouds of white, explicit in their
warmth, greeting, calling, community.
Their morning messages form,
then lift to drift and disappear within
the crystalline cloud that slept with them
on the pond last night.
Shortly, the northbound ensemble shoves
off from its marsh moorings, rising in a
ragged, streamered vee, disappearing into the
newly-risen cloud voices calling it home.

Update (9/19/11): Today I walked past the spot where Mollie and I saw this story unfold and it's messed up with construction equipment and half-built concrete buildings. Sigh. That makes me sad. At least I have the vision of this poem to remind me that once we were a way station for those travelers heading to and from their North and South homes.