By Joseph Hesch
I'm not my Dad, the first Joe.
I can't build you a castle, a house,
or even a box. Wood and nails are
as alien to my being as those
half-gestated Asian duck eggs.
Can't scramble them, bake them in a cake,
or choke them down in any form.
I know my limitations, and carpentry,
auto mechanics and such gifts are
nice dreams for this smooth-handed
Old-American male,
but are as within my grasp as
walking the moon, dunking a basketball,
or entanglement in the warm limbs
of Ashley Judd.
But I can build houses and castles
and worlds out of words. Some even
look pretty true and square.
There are times I wonder if Dad
would have been as proud of my skills
as I always was of his.
Maybe.
Saturday, July 16, 2011
Wednesday, July 13, 2011
Sharing Memories
By Joseph Hesch
Years of memories
recalled on these printed pages,
sharing thoughts thought lost,
you all learn too much of me
while I learn more of myself
Almost exactly five months ago, right after I broke the bottle over the bow of this digital ship of verse and such, I wrote my first poem for consumption of the One Stop Poetry audience. It was Japanese tanka with a Valentine's Day theme. Well, for me it was.
Thought I'd revisit that form, as we have just passed the one-year anniversary for One Stop and we say au revoir to a clutch of friends I made there.
Years of memories
recalled on these printed pages,
sharing thoughts thought lost,
you all learn too much of me
while I learn more of myself
Almost exactly five months ago, right after I broke the bottle over the bow of this digital ship of verse and such, I wrote my first poem for consumption of the One Stop Poetry audience. It was Japanese tanka with a Valentine's Day theme. Well, for me it was.
Thought I'd revisit that form, as we have just passed the one-year anniversary for One Stop and we say au revoir to a clutch of friends I made there.
Monday, July 11, 2011
Love Song in the Dark
By Joseph Hesch
The blond at the white piano in this bar
The blond at the white piano in this bar
is singing what she called
a different kind of love song
and she’s singing the truth.
I know it. I can really feel it through
the beer and the darkness.
I know it. I can really feel it through
the beer and the darkness.
This one is different from
every other love song because
she wrote it and she’s singing it—
there in that dim blue cone of light—
she's singing it just for me.
I don’t even know her name,
but she’s stared at me all the while
she’s been playing, even clamming a few notes
because I'm such a distraction and
you know I’m the target
of the arrow of her soul,
her heart, her song.
OUR song.
you know I’m the target
of the arrow of her soul,
her heart, her song.
OUR song.
I’m sure I am.
Another here, buddy.
Another here, buddy.
Would you just look at her,
would you listen to her.
would you listen to her.
And now she’s finished, and as I
smooth my way around this mumbly crowd to
smooth my way around this mumbly crowd to
introduce myself and pledge my troth,
I notice the white stick on the floor
next to her bench,
next to her bench,
and I’m glad of all she's reminded me
about Love — artful Love, dream Love,
her Love, my Love, our Love —
about Love — artful Love, dream Love,
her Love, my Love, our Love —
how Love is blind, too.
Such a great thing, you know?
Reluctant Poet
By Joseph Hesch
Reading my silly scribblings? Out loud?
To people? Besides the ones in my head?
Oh, no. That’s the reason
I didn’t want to write poetry
in the first place.
Too personal. Too revealing of stuff
I shouldn’t share with strangers
or even people close to me.
Too “naked-from-the-waist-down,
sweating-like-three-whores-in-church,
redfaced, hyperbolized" honesty for me.
Too “hold-me-while-express-myself-
no-that’s-okay-
I’ll-take-the-wet-spot-
no-that’s-okay-
I’ll-take-the-wet-spot-
screw-you-bitch-
five-seven-five-syllable-sushi-
la-la-la-breath-la-la-
five-seven-five-syllable-sushi-
la-la-la-breath-la-la-
and who-could-possibly-care-anyway?”
for anybody.
Especially late-night
Especially late-night
rowdy revelling recorders and
receivers of repetitive readings
requiring lots and lots of listening
to lame alliterative lines.
If you show me yours, baby,
I'll you show you mine.
So…um, where do I sign?
Tuesday, July 5, 2011
Regicide
By Joseph Hesch
The tide is out way downstream
in the great harbor, so the reed-ringed
pool at riverside here is wading depth
for a single spindly-legged heron.
She picks her way around, slowly folding
her leg up then extending it to wakelessly
enter the water in a slow-motion
hunter’s march toward the center
of her soggy dining room. All the while
she searches mightily for crabs and shiners
in its strangely sheened shallows.
Her movements are hard-wired
through uncountable generations
of her kind for whom the Hudson
has been home and larder.
They all walked the same gyre as she,
striding toward the middle of the pool
in successively smaller circles,
as if attached to an ever-shortening string
winding ‘round a pole to its mid-pool end.
But an intruder has claimed the throne there,
and she nervously diverts her attention between it
and the scant dinner darting just beyond her reach.
Blue and broad-chested, the interloper
carries a scent familiar to her now, always
in the air but never so strong as today.
A darning needle hums through the heat,
as a barge glides by, its wake shaking
the outsider to life. Fearful, the natural hunter
beats its wings and surrenders to the leaking
fuel drum that scatters swirling rainbows
across the water and its venom to the
muddy bottom of this realm where once
ruled lean grey princes and princesses.
The tide is out way downstream
in the great harbor, so the reed-ringed
pool at riverside here is wading depth
for a single spindly-legged heron.
She picks her way around, slowly folding
her leg up then extending it to wakelessly
enter the water in a slow-motion
hunter’s march toward the center
of her soggy dining room. All the while
she searches mightily for crabs and shiners
in its strangely sheened shallows.
Her movements are hard-wired
through uncountable generations
of her kind for whom the Hudson
has been home and larder.
They all walked the same gyre as she,
striding toward the middle of the pool
in successively smaller circles,
as if attached to an ever-shortening string
winding ‘round a pole to its mid-pool end.
But an intruder has claimed the throne there,
and she nervously diverts her attention between it
and the scant dinner darting just beyond her reach.
Blue and broad-chested, the interloper
carries a scent familiar to her now, always
in the air but never so strong as today.
A darning needle hums through the heat,
as a barge glides by, its wake shaking
the outsider to life. Fearful, the natural hunter
beats its wings and surrenders to the leaking
fuel drum that scatters swirling rainbows
across the water and its venom to the
muddy bottom of this realm where once
ruled lean grey princes and princesses.
Lithography - A Cinquain
Poems
are sculpted words
hammered out of feelings
on the soft workbench in my heart
of stone.
are sculpted words
hammered out of feelings
on the soft workbench in my heart
of stone.
Monday, July 4, 2011
Little One
By Joseph Hesch
I don’t know if I’m jealous
(well, not of her, just her way,)
but I’ve come to admire some
of how she moves through her life.
It’s as if she’s driving at night,
seeing only what her headlights reveal
of the road ahead, maybe
a little of the shoulder,
and mostly it’s on low beams.
She says it’s all she needs, since
she threw out her mirrors.
“Don’t need to look back at what I
already saw,” she told me once.
Oh, sure, there have been times when
she’s hit potholes, possums, and
broken glass, even slid off the
roadside a once or twice.
Doesn’t stop her, though; she just
turns her wheels back toward
“Out There,” and maybe flips on the
high beams and steps on the
gas a little harder for a mile.
She says she’s not in any
hurry to get anywhere.
The fun of life is in the
getting, the Little One feels.
Maybe that’s what I admire.
Maybe.
I don’t know if I’m jealous
(well, not of her, just her way,)
but I’ve come to admire some
of how she moves through her life.
It’s as if she’s driving at night,
seeing only what her headlights reveal
of the road ahead, maybe
a little of the shoulder,
and mostly it’s on low beams.
She says it’s all she needs, since
she threw out her mirrors.
“Don’t need to look back at what I
already saw,” she told me once.
Oh, sure, there have been times when
she’s hit potholes, possums, and
broken glass, even slid off the
roadside a once or twice.
Doesn’t stop her, though; she just
turns her wheels back toward
“Out There,” and maybe flips on the
high beams and steps on the
gas a little harder for a mile.
She says she’s not in any
hurry to get anywhere.
The fun of life is in the
getting, the Little One feels.
Maybe that’s what I admire.
Maybe.
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